Friday, February 5, 2016

Elaine Owens -- The Story of a Church Keyboardist


Pictured is Elaine Owens of Pinehurst, North Carolina.


 “I was the last generation under segregation,” says Elaine Owens, of Pinehurst, who is celebrating 10 years as the pianist/keyboardist for Sandhills Assembly of God in Southern Pines, N.C., a predominately “white church.”

 Elaine Marie Browne Owens, 77, an African-American, was born in 1938 in Wheatley-Provident Hospital, “the black Baptist hospital” in Kansas City, Missouri. Founded in 1916, the hospital was reportedly the first medical facility to serve the Black community of Kansas City.

“Most people were born at home,” says Owens, who grew up in Kansas City, Kansas (KCK). “Mother, who was 30 when I was born, wanted me to be born in the hospital. She taught kindergarten and first grade and played the piano and sang.”

Owens’ father and mother were James Harold Browne and Lucille Elaine King Browne.

Rosalyn Anita Browne Welch, Owens’ only sibling, is three years younger than Owens and lives in the Kansas City house they grew up in. Rosalyn taught school, went into banking, and then worked in “corporate America.” She is now retired.

“My parents bought that house when I was three years old,” Owens says.  

Her father worked for the U.S. Post Office in “railway mail.” He helped prepared the mail and traveled by train to deliver mailbags to stations. He stayed overnight at homes along his route.

“We’d go to Union Station to meet Daddy when he came back from trips,” Owens says.  

Her father later worked for Atlanta Life Insurance Company, a company that insures African-Americans. The company maintained a branch in Kansas City.

“He sold life insurance,” Owens says. “And he sang baritone with The Deep River Quartet. They sang spirituals.”

Her father and 11 other men founded Douglas State Bank in 1947. They were inspired by H.W. Sewing, an insurance-and-banking entrepreneur from Texas.
  
Owens maternal grandmother served as a “matron” over the girls’ dorm at Western University, a historically black college established in 1865 as the Quindaro Freedman’s School at Quindaro, Kansas.

According to “Wikipedia,” Western University was the earliest school for African Americans west of the Mississippi River and the only one in Kansas. “In the first three decades of the 20th century, its music school was recognized nationally as one of the best.” A 1924 fire severely damaged Ward Hall at the school and admissions declined. Drops in “state appropriations and private funding” led to Western University’s closure in 1943.

When Owens was three years old, her grandmother took her to Western University’s “nursery school.”

“I learned how to count, spell, and read,” Owens says.
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Her family attended the First A.M.E. Church (African Methodist Episcopal Church) of KCK, located near their home. The church sanctuary seated 1100-1200 people.  

“One weekend at the church, Mother set me on her lap at the piano,” Owens says. “I watched her fingers, and I played right behind her, repeating the notes to the phrase ‘Yes, Jesus loves me’ from the song ‘Jesus Loves Me.’”

Her parents were impressed. They had a baby grand piano at home. (“It’s still sitting in that living room, today,” Owens says. Her sister lives in the home place.)

By age four and a half, Owens played “harmonies” on the piano. Ms. Van Sant, “from the all-white conservatory,” visited the Owens home to hear the 4-year-old play. Owens was accepted as a piano student at the Kansas City, Kansas, Conservatory of Music [now closed but then located] “on 7th and Washington Blvd.” 

“Because I could read and count, Ms. Van Sant said I could learn to read music,” Owens says, “I took piano on Saturdays at the conservatory until I was ten or eleven. My first piano book was John Thompson’s ‘Teaching Little Fingers to Play.’”  

(Her music teachers for both her elementary and secondary school years included these: Dr. Oyarma Tate, pipe organ; Dr. Duffelmeyer, piano and music theory; Mrs. Cozetta Kirkland, Hammond organ.)

Owens attended Douglas Elementary School; her mother taught at Grant Elementary. Her maternal grandmother walked with Owens for about 3/4 of a block to meet up with Dorothy Watson, a 4th-grade girl. Dorothy walked with Owens for about more two blocks to the school.

“Dorothy walked me home at lunchtime; all of us ate lunch at home,” Owens says. “She went back for afternoon school, but I didn’t until I got older.”

Owens’ maternal grandfather, Jefferson Perry King, a Kansas Univ. (KU) graduate, had served as the first principal of Northeast Jr. High School. The school displayed a photo of him, along with his motto, “Be the Best,” beneath his photo.

“He had a degree in chemistry and ran track; he was part native-American,” she says.

Kansas was “more open than the South” about race relations during her childhood, she notes.  

“Where my maternal grandmother lived, all the neighbors on one side of her house were white, and on the other side, they were all black,” she says.

Owens’ father was born in Little Rock, Arkansas. His parents were Phoebe Person Browne and Felix Browne.

“Felix was ‘mixed race’ – his mother was black and his father was white,” Owens says. “Grandmother Phoebe was black. She told me that her parents had once been slaves.”   
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By her second- or third-grade year, Owens began accompanying soloists on piano. She played for churches and school activities from her fourth grade year through high school. She practiced about an hour and a half each day in order to play some operettas, she says.
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In 1947, Hazel Dorothy Scott, a jazz and classical pianist and singer, visited the Owens home before performing a concert in Kansas City.

Scott, who was Catholic, had become (in 1945) the second wife of Adam Clayton Powell, Jr., a Baptist minister (at Abyssinian Baptist Church) and U.S. Congressman who represented Harlem, New York City. Powell was the first person of African-American descent to be elected from New York to Congress.

“She was pretty, and he was tall and handsome,” Owens says. “She practiced on our piano while Dad and Rev. Powell talked. She played from Bach to boogie.”  

After the famous couple departed, Owens put on high heels, fashioned a curtain into a long dress, and played the piano, pretending to be Hazel Scott.

“I wanted to be just like her!” Owens says. “At her concert, I sat on a pillow so I could see her.”

In 1949, Owens’ family vacationed in New York City for a week.  

“Our father and mother took us to Wall Street and St. Patrick’s Cathedral,” Owens says. “We stayed downtown and enjoyed restaurants. It was wonderful. In New York City, nobody cared what color you were.”

On Sunday, the family visited Abyssinian Baptist Church, located in the Harlem neighborhood of Manhattan, to hear the Rev. Adam Clayton Powell, Jr., who had invited them to visit.

“I’d never seen so many black people in one place,” Owens says. “Rev. Powell would say something, and people would get excited. He became known for his motto: “Keep the faith, baby.”    
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Owens was 12 when she and a cousin, Elizabeth Mason, 13, decided to go to their pastor to confirm their faith in Christ by joining the church.

“We decided that was what we wanted to do,” she says. “I had to learn all kinds of things in the Bible before I was baptized at age 12.”
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At age 16, Owens began playing for the Kansas City Meistersingers, a vocal group made up of teachers and professional people. Some participants were Owens’ schoolteachers. She played for that group until 1956 when she entered college.

In Sumner High School, Owens performed as a majorette (3 years), was selected for the National Honor Society, and participated in school plays.

“I was in ‘Father of the Bride,’” she says. “I was ‘Mrs. Bellamy’ in the play. I had to ‘blow up’ on stage. I did it. Had fun.”
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During her high school years, Kansas public schools were directed to integrate racially.


“Brown v. Board of Education (1954), now acknowledged as one of the greatest Supreme Court decisions of the 20th century, unanimously held that the racial segregation of children in public schools violated the Equal Protection Clause of the Fourteenth Amendment. Although the decision did not succeed in fully desegregating public education in the United States, it put the Constitution on the side of racial equality and galvanized the nascent civil rights movement into a full revolution.

“In the early 1950s, NAACP lawyers brought class action lawsuits on behalf of black schoolchildren and their families in Kansas, South Carolina, Virginia, and Delaware, seeking court orders to compel school districts to let black students attend white public schools.

“One of these class actions, Brown v. Board of Education was filed against the Topeka, Kansas school board by representative-plaintiff Oliver Brown, parent of one of the children denied access to Topeka's white schools. Brown claimed that Topeka's racial segregation violated the Constitution's Equal Protection Clause because the city's black and white schools were not equal to each other and never could be. The federal district court dismissed his claim, ruling that the segregated public schools were "substantially" equal enough to be constitutional under the Plessy doctrine. Brown appealed to the Supreme Court, which consolidated and then reviewed all the school segregation actions together. Thurgood Marshall, who would in 1967 be appointed the first black justice of the Court, was chief counsel for the plaintiffs.

“Thanks to the astute leadership of Chief Justice Earl Warren, the Court spoke in a unanimous decision written by Warren himself. The decision held that racial segregation of children in public schools violated the Equal Protection Clause of the Fourteenth Amendment.”
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“Kansas didn’t play around,” Owens says. “That ruling happened in the spring, and the announcement was made the next day that a student could go to the school of his choice when school opened in the fall. Four or five whites came to our school; some of them were football players who lived nearby. We had three high schools in our area.”

Owens graduated in a class of around 400 students in 1956.
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“I wanted to go Fisk University in Tennessee; I had friends there,” she says. “But the Univ. of Kansas (KU) in Lawrence, Kansas, was only 30 miles up the road.”

She entered KU during the first year the school integrated the dorms.

“Before that, Negro students stayed in houses in town, not in the dorm,” she says. “As I moved into the dorm, I saw limousines driving up, bringing some well-to-do young ladies. My parents told me, ‘Here’s a check for your tuition and a check for your books, and here’s $5.00 for you.’”

Owens studied music education and played keyboard for the university jazz band. She graduated with a bachelor’s degree in music education in May 1960. (She earned a masters degree in music education “1966 or ’67.”)

“After college, I worked for the summer of 1960 in ‘medical records’ at Wheatley Hospital,” she says. “In September, I began teaching vocal music, English, and civics at Central Jr. High School.”

In 1968, Owens joined in a business partnership with Frances Robinson and Leon Brady to open the “Progressive Music Studio” in KC-K. The three schoolteachers taught music in their studio, after school hours.

She worked as a public school teacher from 1960-1974.
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Owens served – “off and on,” she says – from 1960-1990 as organist and minister of music for First A.M.E. Church, KC-K.

“I always kept a resignation letter in my pocket,” Owens says.

When a minister she “didn’t relate to” settled in at her church, she often resigned from her positions and played at churches that invited her to play. After the “minister in question” moved on, she would return to her church.

During one period, Owens liked the senior minister at her church, First A.M.E. Church, KC-K, but was playing a 6-month stint at another church. She also liked “Charles,” the music director at First A.M.E, but he had an alcohol problem.

She was resting in bed on a Sunday morning when her phone rang.

“Hello,” she said.

“Charles is in jail; get over here!” her father’s voice said before he quickly hung up.

“He didn’t even say ‘This is your father,’” Owens says. “He just said, ‘Get over here!’ I started hurrying, and I called and asked another pianist to fill in for me at the church where I was scheduled to play. I soon heard the phone ring, again. My husband answered, and his father said, ‘Get her over here, and you bring Elaine!’ We got ready and flew down the highway. When I got to First A.M.E., they were holding a robe ready for me to put on, and the choir was ready to walk right in to the service.”

From 1975-1990, Owens served as an organist and assisted in music ministry throughout Kansas, Missouri, Iowa, and Nebraska with the Rev. Jimmie Banks, a soloist, and with Joe Nero, a pianist.  
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Owens met Uriel Edward Owens in church when he was nine years old and she was eight. Uriel and his family moved to Kansas from Ashdown, Arkansas, because his father worked on the Sante Fe Railway.    

“Uriel was one of eight children,” Owens says. “He was child number four. I hated the little fool. You know how girls and boys are at that age. He was short. I liked his sister, Virginia, who was eight years old. Uriel was born with sickle cell anemia but didn’t know it.”

After finishing high school in 1955, Uriel joined the U.S. Air Force. About six months later, he “passed out” while flying as a crewman at 10,000 feet. Tests showed he had sickle cell disease (SCD).

“They rode him out of the Air Force in one day and gave him money to get home,” Owens says. “He was in Denver when he got out, and he went to see Rev. Childress, a minister in Denver. Uriel always thought a lot of Rev. Childress for the counsel and comfort he gave him at that time.”

Neither Uriel’s family nor hers had heard of sickle cell anemia, Owens says.

After Owens had taught school more than two years and Uriel had returned to Kansas and begun work in the “money order center” for the U.S. Treasury Department in Kansas City, Missouri, Uriel suggested that their church (First A.M.E. Church of KC-K) organize a “modern” church choir and sing “new music.” Owens helped organize that choir. Group members met for practice on Saturdays.

“After practice, we’d go out to eat as a group,” Owens says. “We’d often eat barbeque.”
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During 1961, the U.S. Chamber of Commerce selected Owens’ father and mother as one of six couples in the U.S. to travel to Switzerland to attend the International Labor Organization (ILO) convention. The ILO helps establish and oversee international labor standards and promotes “decent work for all.”

Owens’ father met President Dwight Eisenhower, who was raised in Kansas, and President Richard Nixon, who served as U.S. President at the time Owens’ father served as head of the National Insurance Association and as head of the National Bankers Association (NBA), formed in 1927 to serve as a “trade organization for minority and women-owned financial institutions.”

Owens says her father was a member of one of several groups that helped influence President Nixon to draw attention to sickle cell disease   (SCD). On May 16, 1972, President Nixon signed into law the National Sickle Cell Anemia Control Act.

That “control act” increased funds for screening and for research on the disease. The act included this statement:

“Sickle cell anemia is an inherited blood disorder, caused by a genetically determined change in the chemical constituents of hemoglobin, thus affecting the oxygen-carrying capacity of the blood. No cure has yet been found.
“This disease is especially pernicious because it strikes only blacks and no one else. . . .
“Under the programs we have already initiated, we can look forward to the day when sickle cell anemia will be conquered as a debilitating menace to many Americans. . . . the bill (S. 2676) is Public Law.”
Owens adds that Senator Bob Dole of Kansas also helped in obtaining help for SCA research.
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Owens and Uriel married in 1962.

Uriel was hesitant about “having children” because he had SCD. He and Owens underwent tests that showed little possibility of a child of theirs having SCD.

The couple’s daughter, Erica Elaine Owens, was born in 1971.  

“She is my greatest accomplishment,” says Owens, who was 33 when her daughter was born. “Erica played the violin beautifully and was ‘concert mistress’ at her high school. She played with the Great Kansas City Youth Symphony. That symphony represented nine counties.”

Before attending college, Erica acted in inspirational dinner theater productions staged through Joyce Todd Productions. She graduated form Florida A&M University in “theater arts” and has worked for years in “information technology.” She lives and works in Metro Atlanta.  
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Prior to his death, Uriel worked for about seven years as Deputy Director of the Bureau of Child Research for KU.

“He was an organizer and a leader,” Owens says. “He helped people with needs and believed everyone needed opportunity.”

Owens’ father died in 1979, and many people honored his passing.

Uriel suffered greatly from SCD during their marriage.

According to the National Heart, Lung and Blood Institute, “The term sickle cell disease (SCD) describes a group of inherited red blood cell disorders. People with SCD have abnormal hemoglobin, called hemoglobin S or sickle hemoglobin, in their red blood cells. Hemoglobin is a protein in red blood cells that carries oxygen throughout the body.”
  
“The blood can’t get through the veins,” Owens says. “Uriel went to the hospital many times.”

In Oct.1980, during a hospital stay, Uriel told Owens, “I hurt from my head to my toes.”

Owens says, “On Sunday, he told me, ‘Wash the cars.’ I asked him why, and he said, ‘Just wash the cars.’ On Monday at 1:00 p.m., he lapsed into unconsciousness.   

Owens’ family gathered on Tuesday. Uriel was being “kept alive.” Owens asked Uriel’s doctor if he had seen any change or if he foresaw any change in Uriel. The doctor said, “No.”

“Then let him go,” Owens said.

Uriel was pronounced dead on Thursday, Oct. 16, at 1:00 a.m. The funeral was held on Oct. 20.  

“When he passed, people came from everywhere to honor him,” Owens says.
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Before her father died in 1979, Owens was diagnosed with glaucoma.

“I was the only one in my family who had it,” she says. “I was not overweight and didn’t have diabetes.”

By 1985, Owens’ regular physician, Dr. Frances Foster, had become an ophthalmologist in Kansas. After Owens underwent laser surgery to relieve eye pressure, Dr. Foster, an N.C. native, cried when she told Owens after the surgery, “I can’t stop this pressure.” 

“We were friends,” Owens says. “I knew her family. She was from Laurinburg, N.C. Some doctors who trained in the South came to Kansas to make better salaries. And they were more accepted as ‘people’ in Kansas.”

Owens went through two surgeries by a specialist.

“Dr. Foster went to surgery with me, both times. She held my hand while that specialist operated on me,” Owens says. “My left eye was first. After the operation, I had 12 days of shots – a steroid shot each day in the eye. Then, 45 days later, the right eye was operated on. They made a cut over each eye to reduce pressure.”

By 1990, her eye pressures “had crept up.”
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Owens had left teaching in 1974 and began work with the U.S. Dept. of Energy. During 1980-81, she started working with the U.S. Dept. of Housing and Urban Development (HUD). She left HUD in 1990 at age 52.

 

“I had to get out because of my eyes,” she says. “I drove to Maryland, and from 1990 to ’94, I lived in an apartment in Baltimore, so I could get eye treatments at John Hopkins Hospital.”


She lived on funds she had saved and did not apply for disability, hoping she could return to the workplace and perhaps start a business of some kind. She lived near Frankie Thomas, a cousin, and various relatives.

“I didn’t do much piano playing in Maryland,” Owens says. “My doctor had me trying different medications for my eyes. He’d say, ‘Try this; try that.’”

As 1994 ended, her doctor in Maryland directed her to Dr. Daniel Messner at Carolina Eye Associates at the Pinehurst/Southern Pines location. Messner specializes in the treatment and surgery of glaucoma and cataracts.

Owens drove south.

“I didn’t know a soul in Pinehurst,” she says.

She visited Carolina Eye in Jan. 1995, carrying a huge medical records folder. 

“It’ll take me three days to read that,” Dr. Messner said.

She needed a complete physical before scheduling surgery.    

“They told me I should not drive because of my eyesight, so I quit driving,” Owens said. “I was running out of savings, so I applied for disability, and after lots of paperwork, I was approved for it.”
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She met Lisa Thomas, a hairdresser who owns the Aberdeen, N.C., beauty shop now called “Anointed Creations.” Thomas asked Owens, “Do you want to come to my church?” That church was FMBC First Missionary Baptist Church in Southern Pines, N.C. 

Owens asked Thomas if she knew anyone who sold Mary Kay Cosmetics. Thompson told her of Shuris Campbell, a young speech therapist and Sunday school teacher at FMBC. Campbell offered to drive Owens to her church.   

At FMBC on the next Sunday, Campbell directed Owens to an older-ladies class where Owens met Delores Waddell Green.

“We’ll be singing a song after class,” Green told Owens.

“Well, I don’t like to sing, but I can play,” Owens said.

She played piano for the group to sing, and Pastor Joshua J. Haire, Jr., heard her playing.

“That was the biggest mistake of my life,” Owens says, smiling. 

“Can you come back tonight and play for us? Pastor Haire asked. “We’ll have someone pick you up.”

“He wanted to try me on the organ, to see if I could play,” Owens says. “I love the ‘Hammond B3 and Leslie.’ He plunged me into lots of playing. It’s a very active church.”

Two weeks after Owens first visit to First Missionary Baptist, Wanda Campbell, Shuris Campbell’s aunt, drove Owens to Carolina Eye for Owens’ 6:00 a.m. eye surgery appointment. (She has undergone six or seven laser surgeries since that operation.)

“I stayed in Pinehurst because of Pastor Haire and the surgeries,” she says.    
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Owens joined FMBC in Southern Pines in 1995 and became the church’s organist and minister of music. She relinquished the minister-of-music title to Damon Clark in 2005. The Rev. Bryan Rainbow, then-pastor of Sandhills Assembly of God in Southern Pines, needed a keyboardist and called Pastor Haire, his friend.

“They need somebody on keyboards,” Haire told Owens. “Go for a few weeks or months until Brother Bryan can hire someone. Go help my friend.”

“I liked the people at Sandhills Assembly,” Owens says. “I started playing there on the second Sunday of July 2005. They’d come to pick me up. They had Jim Muccio on drums and Chuck Richardson on guitar. Pastor Bryan sang solos at various places outside the church. He’d call me and say, ‘Ms. Elaine, I need to sing at such-and-such a place, can you go with me and play for me?’”

Jim Muccio, an accomplished trumpet player and former band teacher at Pinecrest High School in Pinehurst, N.C., now lives in Florida with his wife, Lucy. He says about Owens, “Elaine is one of the finest musicians that I have had the pleasure of playing with. Her years of practice and her faith are both evident each time she touches the piano keys. She's a wonderful person, who is always willing to go the extra mile to help those in need.”

Owens still plays for Sandhills Assembly. Pastor Ty Van-Thomas of Sandhills Assembly appreciates her skill, as does Ms. Kendra Marshall, the church’s newly appointed worship leader.

Pastor Van-Thomas says, “Elaine, in her own right, is not only a legend – whose musical skills and talents continue to be a channel of strength, hope, and encouragement to the Body of Christ! – “but, I’ve also been privileged to witness her gifted ability to arrest the most vital moment in a service with a musical flow that interprets the Holy Spirit’s message of the hour. That flow is what captivates the hearts and minds of God’s people and facilitates a move of His Spirit, requiring those who are present to respond.”

Owens stayed on as the keyboardist for Sandhills Assembly while remaining active at FMBC.

“Sitting around does not ‘get it’ for me,” Owens says. “First Missionary Baptist Church has done a lot and done a lot of ministry with other groups.”

Pastor Haire founded “The Creative Learning Center” in 1996. L’Tanya Haire, the pastor’s wife, Pastor Haire and Owens are charter members of that center.

“I’m still an active board member,” Owens says. 
She solicited instruments for FMBC and asked music groups to visit the church.

“I met with Benny Edwards at First Baptist Church [a predominately white church] in Southern Pines,” she says. “We combined our choirs to sing ‘Total Praise’ by Richard Smallwood.”

Each third-Sunday night, Owens now plays for “a singing” at Liberty Christian Church in Aberdeen.

“Jeff and Sandra Miller used to attend Sandhills Assembly but now go to Liberty Christian,” Owens says. “They’re good singers. They pick me up for that service.”
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Owens says she maintains a morning ritual of reading Proverbs 3:5-6 from the Bible, though she knows by memory the words she reads.

Here are those Bible verses: “Trust in the Lord with all thine heart; and lean not unto thine own understanding.  In all thy ways acknowledge him, and he shall direct thy paths.”

“That’s the first thing I read every morning when I get up,” she says. “I want the Lord to direct my paths.” 

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This story was written by Larry Steve Crain of Southern Pines, N.C. Find more of his stories at:

The Rev. David Hicks Speaks to Solid Seniors at Sandhills Assembly of God


The Rev. David Hicks speaks to Solid Seniors.  


The Rev. Hicks plays and sings for the group.


The Rev. Hicks leads in worship.

“There are a lot of memories in this room,” said the Rev. David Hicks, of Pinehurst, N.C., as he spoke at the Tuesday, Feb. 2, 2016, noon meeting of Solid Seniors at Sandhills Assembly of God in Southern Pines, N.C. “I like to come up here.”

David Hicks served as the church’s first pastor. Here is a summary of the church’s origin:

In October 1976, the group that was to become Sandhills Assembly of God was recognized as a North Carolina Assemblies of God (AG) district-affiliated church. On September 25, 1977, David Hicks accepted the invitation to become the church’s first pastor.

The church selected the name “Sandhills Assembly…Church of the Pines.” Eleven months later, on Sunday, Sept. 10, 1978, the group became a self-governing Assemblies of God church. The church purchased over 6.5 acres of property along U.S. Highway 1, north of Southern Pines. Construction began on the first sanctuary in November 1978, and the first worship service took place in that building on January 28, 1979, under Pastor David Hicks. He served around 12 years as the church’s senior pastor. The Rev. Ty Van-Thomas now serves as senior pastor of the church.

Hicks, now graying, set up his electronic keyboard before fellowshipping with senior citizen attendees during a catered luncheon. After the meal, Pastor Gloria Latham (Solid Seniors leader), introduced Hicks, who accompanied himself on keyboard.  

“Jesus, we crown you with praise,” he sang, moving his hands sensitively across the keyboard. “We love you; we adore you; we bow down before you; Jesus, we crown you with praise.”

He then sang “Hallelujah to the Lamb” and “Precious Lord, Take My Hand.”

Hick’s wife, Joan, addressed the group.

“It’s great to be here, today,” she said. “Ministry is still going on. There’s no limit to what you guys can do here in this community.”

Hicks resumed singing, “Change my heart, Oh God. Make it ever true . . . Thou art the Potter; I am the clay.”

Hicks said he wrote a song “a few years ago” and had good response to it. He sang that song called “Give My Heart a Voice of Praise” and noted that printed copies (words and music) were available to attendees.

He sang a chorus containing these words: “I worship you, Almighty God; there is none like you. I worship you, O Prince of Peace; this is what I want to do . . .  .”

“That's an important phrase,” Hicks said, alluding to the “human will” involved in the words “This is what I want to do.”     

Hicks rose from his keyboard and delivered a message entitled “Old but Not Obsolete.”

“I come across young people who need motivation for their lives,” he said, adding that he “started music” at age 63. “God’s not through with us, yet. God’s the God of awesome inspiration . . . at any stage, at any age.”

Hicks presented two examples of “incredible older people who inspired us to remain faithful, useful, and motivated.”

1)  The grand old man of Judah, Caleb (Joshua 14):

“The 85-year-old outspoken minority leader of the 12 spies was a man who had a ‘different spirit,’” Hicks said. “The old man [Caleb] said, ‘Give me this mountain.’ Earlier he said, ‘We can do this. Let’s go at once and take the land.’”

Hicks commented on how seniors should think: 

“Inside the box? Outside the box? Box? What box?”   

2) The grand old Swedish lady of Aberdeen (N.C.), Hilda:

At age 85 and as a member of Sandhills Assembly – and largely during the years Hicks served as pastor of Sandhills Assembly – the late Hilda Gerald said, “I’m going to start a world wide ministry,” and she did. 

Then, at age 88, Hilda said, “I’m going to start another world-wide ministry,” and she did.

She wrote letters – 200 each month – of encouragement and prayer for AG missionaries all over the world, Hicks said.

“She made afghans and pillows,” he said. “She wanted my blessings. At age 88, she received letters, coming back to her, asking for prayers. She started a prayer group. About once a year she’d go into the hospital.”

He said he felt Hilda’s going into the hospital was a “ruse” for leading people on the hospital staff to Christ.

The audience laughed.

Hicks recalled observing Hilda at a restaurant in Aberdeen while she was witnessing to two businessmen. One of the men was saying, “Well, well . . . ” Hilda responded, “We ain’t discussing no ‘wells.’ We’re talking about Jesus!”

“When the Holy Spirit motivation comes on you, you can do incredible things,” Hicks said. “Hilda didn’t have much of this world’s goods, but she was rich – the Donald Trump of Aberdeen.”

Hicks commented on “growing old.”   

He said he recently advised someone that he should resign from being “superintendent of the universe.”

“Teach me that I could be mistaken,” Hicks said.
He had this prayer printed on notes he gave to attendees:

“O, Lord, don’t let me live in the past on stale manna. You know me better than I know myself. Keep me from getting too talkative. Release me from trying to straighten out everybody’s affairs. Teach me the lesson that I could be mistaken. Make me thoughtful but not moody, helpful but not bossy. For you know, Lord, that I want a few friends at the end.”    

God is able to use you, even it you’re flat on your back, he said.

“He can use you to do unbelievable things,” Hicks said, adding that seniors don’t need to be in a rush to enter eternity. “It’s OK to go to heaven, but you’re going to be there a long time. Get your mind off yourself, and get it on the Lord.”

He talked about his desire to play the keyboard.

“I always knew how to play three chords,” he said.
He said that the Lord indicated to him, “If you’ll put your hands on the keyboard . . . ”

The idea was that Hicks could play anything he wanted to play if he would “put his hands on the keyboard.” He progressed in proficiency and learned to accompany himself while singing.   

“I’ve played in churches of 5,000,” he said. “In my old age, I am not obsolete, but I am rocking and rolling for Jesus Christ!”

He offered this prayer for the group:

“God, you are awesome. Anoint us all with your Holy Spirit . . . that we may bring glory and honor and praise to you. In Jesus’ name, amen.” 

 The Rev. David Hicks of Pinehurst, N.C.